ABOUT MADAGASCAR
CULTURE
Most contemporary and traditional Malagasy music revolves
around dance rhythms with influences from Indonesia
and the African mainland, notably Kenya. These rhythms
are accompanied by the flute, whistle and valiha, a
unique, 28-stringed instrument resembling a bassoon
but played more like a harp. The lokanga voatavo, or
cordophone, is also popular, as are a few types of guitar,
including the kabosy, similar to a ukelele. Vaky soava
is a rhythmic style of singing accompanied only by hand
clapping, and perhaps the most renowned exponent is
Paul Bert Rahasimanana, who developed a personal style
that included adding a musical accompaniment. He weaves
themes of poverty, love, loss and hope into his music.
The regional town of Fianarantsoa has developed into
a literary capital of sorts in recent years, and several
contemporary novelists and writers work there. While
literature didn't really flower until the 1930s and
40s, traditional oratory, called kabary, is highly regarded.
Kabary's roots are in early political assemblies, in
which each speaker spoke in turn. It evolved and was
eventually popularised and extended to the general public
as a form of entertainment. Kabary is an integral part
of hira gasy, popular spectacles that include music,
dancing and story telling, held regularly in Tana on
most Sunday afternoons.
While Madagascar officially shares one culture and
language, the Malagasy people are divided into 18 tribes
whose boundaries are based on old kingdoms rather than
ethnic characteristics. Most Malagasy are of mixed race,
but some, such as the Merina from the Antananarivo area,
are predominantly Indonesian in appearance, and others,
like the Vezo of the south-west coast, have close ties
to eastern Africa and look like black Africans.
Despite the status of French as the official language,
Malagasy is widely spoken. It belongs to the Austronesian
language family, which includes Indonesian and many
Polynesian languages, and its closest linguistic cousin
is spoken on southern Borneo. It has also adopted words
from French, Arabic, nearby African languages and English.
Around 50% of Malagasy follow traditional religions,
and even confirmed Christians (41%) usually still devoutly
carry out traditional practices. The Malagasy regard
the dead with awe and reverence, and give the afterlife
as much importance as the present; the dead play a role
in the life of the living rarely seen in other cultures.
Mourners carry out elaborate rituals at funerals, and
if it is deemed that the dead are displeased, further
rituals are enacted to appease them. The most famous
of these is the famadihana, or turning of the bones,
when the dead are exhumed, entertained, talked to and
reburied with gifts and new shrouds. There are several
Muslim communities, and Muslims comprise about 7% of
the population.
The dominant element of any Malagasy meal is vary or
rice, and vary doesn't accompany the meal, the meal
accompanies the vary. Roadside canteens normally offer
a big plate of rice with a few tidbits to garnish it,
such as beef, fish or poultry. Other than rice, favourite
Malagasy dishes include romazava (beef and vegetable
stew) and ravitoto (pork stew with manioc greens). Many
dishes are accompanied by achards, a hot, pickled vegetable
curry. The seafood on the coast is excellent and cheap,
and you can eat a range of tropical fruits (voankazo)
such as pineapples, lychees, mangoes and bananas for
most of the year.
The French influence ensures that the coffee is excellent
and more popular than tea. The local THB or Three Horses
Beer is also very good. Around Ambalavao and Fianarantsoa
they produce several excellent wines, including a greyish-coloured
one appropriately enough called gris. The rotguts come
in several different kinds but all are strong enough
to unblock your pipes. Toaka grasy is a crude rum made
from rice and sugar cane; trembo is a coconut toddy;
and litchel is an alcoholic fruit drink made from lychees.
Up the scale is a distilled rum called roma.
Reproduced with permission from the Lonely Planet website www.lonelyplanet.com
© 2005 Lonely Planet
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